After Thwarted Kidnapping Plans, Whitmer Calls for Unity

Gov. Gretchen Whitmer addressed the State of Michigan after a plan to kidnap her and other Michigan government officials was thwarted by state and federal law enforcement agencies. She started by saying thank you to law enforcement and FBI agents who participated in stopping this [...]

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Lucky Number ‘Nine’

By |2009-12-17T09:00:00-05:00December 17th, 2009|Entertainment|

By Lawrence Ferber

Director Rob Marshall’s “Nine” is a worthy musical follow-up to his multiple Oscar-winning “Chicago,” full of bombastic production numbers and razzle-dazzle with an Italian accent. The original 1982 Broadway stage musical – with book by Arthur L. Kopit and songs by Maury Yeston, the latter of whom contributed three new songs to the film – was an adaptation of Frederico Fellini’s semi-autobiographical 1963 classic, “8 1/2,” about a womanizing filmmaker stuck in a creative and personal rut.
Daniel Day-Lewis plays Guido Contini, who only has about a week until his next film, which still lacks even a script, begins production. Unable to focus, Guido loses himself in women – his wife (Marion Cotillard), mistress (Penelope Cruz), lead actress (Nicole Kidman), costumer (Judi Dench) and a Vogue reporter (Kate Hudson) – while he’s haunted by childhood memories of his mother (Sophia Loren) and a prostitute, Saraghina (Black Eyed Peas’ Fergie).
The openly gay Marshall caught up with Between The Lines, chatting about his partner’s influence on his work and being mistaken for a straight man.

Your life partner, John DeLuca, also served as a producer and choreographer on “Nine.” What does working together bring to your films?
Everything. The first time we worked together as collaborators on the other side of the desk was “Chicago.” I said, “John, I need you!” I was so nervous, being my first feature film I really felt I needed all hands on deck and I needed his eye. He has a brilliant eye. I was concerned about working with your partner and how’s that going to play into our lives. But movies take so much time that to have the family – John, and we have a beautiful dog named Gillie – with you as part of these journeys, then you’re not putting your life on hold. It becomes your life.

What do you find cutest about him when working together?
Let me think. After 27 years … he’s just wonderful with people, you know? The actors and dancers adore him because he brings joy and life to everyone he works with and supports them and gives great confidence. I love seeing other people learn to love him the way I do.

At the press conference it seemed some of the journalists didn’t realize you’re gay, bombarding you with suggestive, lecherous “how hot was it working with all these sexy ladies” questions.
Oh right. What’s funny is what people don’t understand about being a gay man: You appreciate women as well as men. Penelope Cruz is one of the sexiest women I’ve ever seen in my entire life. So I was fine to hear those things. I’m very happy and proud of who I am and talk about John as well.

Which actor required the most vocal coaching and prep to get them in shape for the singing?
Everyone did. Fergie obviously had a different challenge. She had to find her way into this world as an actor and approach her material from that. But they were all working so hard, because it’s not something they do every day. Even Nicole, who sang in “Moulin Rouge,” we actually took her material and dropped it many keys because I wanted a chest voice for her. To have a more sultry, darker, deeper sound for Claudia, so she was working really hard to find that.

What is the most significant change made from the play “Nine” to the film?
It’s just one man with women and you’re moving in and out of things quite quickly. It all plays as a conceptual fantasy. Our movie really moves back and forth between reality and fantasy and memory.

What was the biggest difference between this and “Chicago” for you?
“Chicago” ultimately was a satire so there was a tone to that. It’s really a shift in tone. This explores more dramatic territory, and I found it’s a deeper story. That kind of emotional work was something very different from “Chicago.”

I understand that Daniel would write notes to the rest of the cast on “Guido Contini” stationery and would sign them with his character’s name. Did he write any notes for you, like “looking good in those pants”?
(Laughs) Not like that, but he’s a very generous man, believe me, and I’ve gotten a few with some lovely words of encouragement. I’ll treasure those forever.

About the Author:

BTL Staff
Between The Lines has been publishing LGBTQ-related content in Southeast Michigan since the early '90s. This year marks the publication's 27th anniversary.